R & D
Facteurs Humains et Organisationnels
Culture de sécurité
Accompagnement à l’innovation (Agrément CIR)
Facteurs Humains et Organisationnels
Culture de sécurité
Accompagnement à l’innovation (Agrément CIR)
RBO
Maturité du SGS
Diagnostic organisationel
Facteurs Humains : CRM, FRMS…
Facteurs Organisationnels
DESIGN DAYS CONFERENCE
Organization of a Design Days Conference series is a result of the continued policy and continuous learning process, connecting researchers and practitioners attempting to understand better the problems they are trying to address. The objectives of the Design Days Conferences tend to be integrative across the various disciplines, to reach the current state-of-the-art, to cover the multidisciplinary aspects of design and to assure high level review policy.
DESIGNED OBJECTS
Organization of a Design Days Conference series is a result of the continued policy and continuous learning process, connecting researchers and practitioners attempting to understand better the problems they are trying to address. The objectives of the Design Days Conferences tend to be integrative across the various disciplines, to reach the current state-of-the-art, to cover the multidisciplinary aspects of design and to assure high level review policy.
DESIGN MANAGEMENT
Organization of a Design Days Conference series happycatshouse is a result of the continued policy and continuous learning process, connecting researchers and practitioners attempting to understand better the problems they are trying to address. The objectives of the Design Days Conferences tend to be integrative across the various disciplines, to reach the current state-of-the-art, to cover the multidisciplinary aspects of design and to assure high level review policy.
Design thinking: cognitive modes and learning styles
Design approaches, strategies, methodologies and tactics
Problem solving: recognition procedures, hypothesis developmen
The meaning of innovation and creativity, in theory and practice
Fashion design and development
Product design philosophy
Industrial and Interior design
Engineering and design
People and artifacts: exploring uses and usability
Participatory design systems
Professional ethics
Design knowledge management
Design in social policy, planning, and politics
Health, safety, and public welfare in design practice
Design as business
Markets for design and designing for markets
Communications design
Visual arts
Typography
Graphic design
Eco design: environmental and green design
Theatre and set design
Interaction design
Landscape architecture
The business of design is in a state of flux. The roles, the tasks and the personae of designers are changing.
No longer the technical expert, the heroic aesthete or the inspired individual of our earlier modern past, the contemporary designer draws upon dispersed sources of creativity and innovation. Collaboration, today, is key. For design practitioners, a central paradox of our times is the increasing specialization, on the one hand, but on the other, the need for more broad-ranging and holistic integration of design tasks, working between and across design disciplines. Design is becoming an ever-more social, indeed sociable, process
The imperative to collaborate, moreover, extends well beyond the domain of professional interaction and working in design teams. It also extends to the relationship with the users, clients and consumers of design. Designers today need to build deeply collaborative relationships with their ‘public’. Participatory design and user-centered design are just two key phrases that capture the spirit of this imperative.
Our DesignDays 2016 conferences are designed for independent businesses, owners of small and medium enterprises and company directors.
The Company, which is based in the USA, works towards developing a wide range of professional tools to suit its customer base.
Designers need to able to ‘do’ a multimodal professional design discourse. They must speak and write their way through complex collaborations with co-designers and interactions with users. They need to be able to ‘do’ visualization as they explore design alternatives through mental images and picture their visions into reality. They need to be able to represent spatial realities, prefiguring the three dimensional through the two dimensional and turning plans into tactile artifacts, manipulable objects, architectural spaces and navigable landscapes. The new, digital media provide newly flexible and accessible tools for multimodal and synaesthetic thinking.
Design’s modalities are also in a state of flux, its working tools of representation, communication, visualization and imagination. Digitization of text, sound, and still and moving image is one important site of transition. This has spawned new practices of modeling and simulation, of prefiguring the real in the virtual. It has also introduced the virtual as a design end-in-itself.
Organization of a Design Days Conference series is a result of the continued policy and continuous learning process, connecting researchers and practitioners attempting to understand better the problems they are trying to address.
Outil SMS
DESIGN OBJECTS
Organization of a Design Days Conference series is a result of the continued policy and continuous learning process, connecting researchers and practitioners attempting to understand better the problems they are trying to address. The objectives of the Design Days Conferences tend to be integrative across the various disciplines, to reach the current state-of-the-art, to cover the multidisciplinary aspects of design and to assure high level review policy.
DESIGN DAYS CONFERENCE
Organization of a Design Days Conference series is a result of the continued policy and continuous learning process, connecting researchers and practitioners attempting to understand better the problems they are trying to address. The objectives of the Design Days Conferences tend to be integrative across the various disciplines, to reach the current state-of-the-art, to cover the multidisciplinary aspects of design and to assure high level review policy.